The Picó Sound System of the Colombian Caribbean cities of Cartagena, Barranquilla and Santa Marta have created parties for people of their working-class neighborhoods, in particular for the Afro-Colombian diaspora. The issue explores the musical migration from Africa to Colombia; how it made the Afro-Colombian’s diaspora aware of its origins and colonial past; and how champeta has resisted marginalisation and continuous to break with hegemonic powers.
Edna Martinez in this issue is an artist, DJ, and Curator of Music and Sonic Practices at Haus der Kulturen der Welt (HKW), Berlin.
Payment & Security
Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.