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It focuses on personal or even idiosyncratic style how women actually look, think and dress and on those women the magazine considers to be inspirational. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis ethos certainly doesn't eschew glamour and, with clever journalism and superb photography also in the mix, \u003cem\u003eThe Gentlewoman\u003c\/em\u003e is regarded as the defining publication in a growing genre of refocused, intelligent, production-rich magazines.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbout Issue 34, from the publisher:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSlam! Issue n° 34 of \u003cem\u003eThe Gentlewoman\u003c\/em\u003e is fronted by Coco Gauff, the 22-year-old American champion reshaping women’s tennis. Two majors in, and with her game rebuilt from scratch, Coco is playing the best tennis of her life, resplendent in her signature kit and making sure the game’s Black pioneers are not forgotten. 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Originally a million-selling magazine published between 1946 and 1977, it commissioned, published and heralded work by some the greatest writers of the last century, such as Graham Greene, Joan Didion, Jack Kerouac, Truman Capote and others. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe new \u003cem\u003eHoliday\u003c\/em\u003e has moved base from New York to Paris but remains English language. 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Continuously growing in reach, this year our open call received another record-breaking 2,892 entries from 107 countries, giving Foam’s artistic team unique insights into the currents shaping today’s photographic landscape.\u003cspan\u003e In this issue of Foam Magazine we introduce the\u003cstrong\u003e \u003c\/strong\u003e15 Foam Talents and 15 Foam Talent Runners-up\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-GB\" class=\"TextRun Highlight SCXW42566967 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW42566967 BCX0\"\u003e. \u003cspan\u003eTogether, these 30 artists represent new directions in photography with an emphasis on work that challenges conventions and reflects the complexity of contemporary experience.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Foam","offers":[{"title":"No 68: The Talent Issue","offer_id":57291904614773,"sku":null,"price":39.95,"currency_code":"GBP","in_stock":true},{"title":"No 67: The Test of Time","offer_id":55960827756917,"sku":null,"price":39.95,"currency_code":"GBP","in_stock":true},{"title":"No 62: M\/OTHERLANDS","offer_id":43381810626813,"sku":"M-FO-5144-S","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5974\/0505\/files\/Foam_68.jpg?v=1781518882"},{"product_id":"i-d","title":"i-D Magazine","description":"\u003cp\u003e\u003cstrong\u003eAlong with \u003cem\u003eThe Face\u003c\/em\u003e and \u003cem\u003edazed\u003c\/em\u003e, \u003cmeta charset=\"UTF-8\"\u003e \u003ci\u003ei-D\u003c\/i\u003e is one of the definitive youth and ‘street’ culture magazines of the last three or four decades. 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Originally conceived as Belgium’s first fashion magazine, \u003cem\u003eA Magazine Curated By\u003c\/em\u003e quickly gained international acclaim for its intimate perspective into the minds of the world’s inspiring fashion designers working today.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eAbout Issue #30 of A Magazine Curated By from the publishers:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA Magazine Curated By and Nike, Inc. are  pleased to present A Manual For Living Curated for Nike, a special project exploring the internal intelligence of the American sportswear brand after five decades of innovation. The publication functions as a manual, intended as a tool to deepen understanding not only of the human psyche, but also the way in which it connects with others and engages with the world. \u003c\/p\u003e\n\u003cp\u003eSpanning close to 200 pages, the editorial object is organised into five sections: Mind, Body, Soul, Desire and Imagination. 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We've seen this sort of coverage before but not always too successfully. The intellectual weight, design elan and production gloss here, however, ensures that \u003cem\u003eBlau\u003c\/em\u003e belongs on the bookshelves as much as the coffee table. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbout issue 14, from the publisher:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn the new issue, Bruce Nauman has a rare audience with Andrew Winer. Questioning everything, Michaela Eichwald is questioned by Albert Oehlen. David Salle remembers the precise moment Julian Schnabel broke the art world. Max Hollein and François Halard guide us through the home and heart of Walter Pichler’s sculpture. And Zurbarán’s long-lost world is brought close by Hans-Joachim Müller.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThen, Lorenzo Amos asks if life is big and beautiful enough for him. Dorothea Tanning’s abstract adventures are plotted by scholar Alyce Mahon. Charles Simonds, a street artist avant la lettre, shelters the little people, one dwelling at a time. Horst Antes shares his collection of milk cans. Marie Chaix and Colin Dodgson issue a call to prayer. Florian Illies surgically examines the New (and old) Objectivity.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd Swiss collector Uli Sigg talks about the Chinese art market he set in motion. Other highlights include: Christopher Rothko on his father, Mark Rothko. Iida Jonsson and Ssi Saarinen talk to Victoria Camblin. Claes Juhlin on the interior of Barbara Gladstone’s former Chelsea home. Yifan Jiang on Hu Bo. Paul Smith on Frank Auerbach. Gesine Borcherdt on Wolfgang Hollegha. 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